Fuck with us How foolishly you talk When you know we cannot walk! So they both went slowly down Fuck with us And walked about the town With a cheerful bumpy sound Can't nobody As they toddled round and round And everybody cried As they hastened to their side Fuck with us "See the table and the chair Have come to take the air!

But in going down an alley To a castle in the valley They completely lost their way And wandered all the day Till, to see them safely back They paid a ducky quack And a beetle and a mouse Who took them to their house.

When they whispered to each other "O delightful little brother! Can't nobody fuck with us What a lovely walk we've taken! Let us dine on beans and bacon! Revolution, baby way down low Beautiful night, y'all say it Beautiful night, y'all say it Say what a beautiful night, y'all say it Beautiful night, y'all say it Come on.

Beautiful night, y'all say it Beautiful night, y'all say it Everybody feelin' alright, y'all say it Gonna be a beautiful night, y'all say it Everybody Oh-we-oh-ooh, oh-we-oh-ooh Say it Oh-we-oh-ooh, oh-we-oh-ooh Say it Oh-we-oh-ooh, oh-we-oh-ooh Oh-we-oh-ooh, oh-we-oh-ooh.

So they both went slowly down And walked about the town With a cheerful bumpy sound As they toddled round and round And everybody cried As they hastened 2 their side "See! The Table and the Chair Have come 2 take the air" Paris, y'all, can't nobody Say it y'all IV.

But in going down an alley 2 a castle in the valley They completely lost their way And wandered all the day Till, 2 see them safely back They paid a Ducky-quack And a Beetle, and a Mouse Who took them 2 their house V.

When they whispered 2 each other "O delightful little brother What a lovely walk we've taken Let us dine on Beans and Bacon" So the Ducky, and the leetle Say it, y'all Browny-Mousey and the Beetle Dined, and danced upon their heads Till they toddled 2 their beds Good God, uh! When they whispered to each other "O delightful little brother! Let us dine on beans and bacon! Revolution, baby way down low beautiful night, y'all say it beautiful night, y'all say it say what a beautiful night, y'all say it beautiful night, y'all say it come on.

All lyrics are property and copyright of their owners. All lyrics provided for educational purposes only. Join us. Add new song. Album: Sign O' The Times. I get choked up talking about how she plays piano much less listening to it. And she played this gorgeous piece. Again, there were no lyrics but it was just so frickin' stunning. So we brought these two things home. He wrote lyrics to it; came up with a melody and then brought us all together in the Galpin Road home studio right after the last wire had been put in place.

Brings us all in and he says, "I'm gonna have the band come down and we're gonna record this song. Mic the piano upstairs for Lisa. Run headphones up there. We had Eric in the sound lock with the flute. Bobby in that iso booth for the drums. And Prince was the only place he could be, which was in the control room with me. Lisa Coleman : Yeah that's exactly right. He was sitting like in the control room downstairs and I was upstairs at the piano, and so we couldn't see each other.

Usually we would see each other, you know, and he could give visual cues. But this time, yeah, he was just talking in a mic in our headphones and giving us cues. Audio: "Power Fantastic" Prince intro and piano free form, keep playing throughout descriptions. Susan Rogers: But this was when I discovered I didn't have enough headphones to go around. So everybody had headphones except me.

I mean, the studio wasn't designed to have that many people recording at once. So what to do? I had to record everyone. I had to be in the control room where he was and where he was singing, but I couldn't listen to anything because if I turned the speakers up all that leakage would've gone into the mic. First, I got all my sounds dialed in, but then I had to turn it all off because he's in the control room with me and he has to do his vocal.

He hated that because he was used to doing his vocals all alone. So he had me set up the vocal mic in the corner, the furthest corner of the room, and set it up so that he would face the corner like the stereotypical dunce with the dunce cap being asked to sit in the corner. He goes to the corner, faces the wedge of this corner and sings his vocal.

I'm sitting there behind the console hearing nothing but his voice. Susan Rogers: Oh, I mean just magnificent. Just hearing that voice. It was a moment I will never, ever forget. He wasn't pleased, but what are you gonna do?

There we are. Yeah, that's a wonderful song, wonderful, wonderful. That's Lisa Coleman though. Eric Leeds : So yeah, she's upstairs all by her lonesome. If I recall, Bobby, it was one of the few times that I ever recorded with Bobby on live drums. And once again there are a lot of people out there who want to believe that that's Miles on trumpet on that, and it's not. That's Matt Blistan, and Miles had nothing to do with that horn. Atlanta Bliss : Oh yeah.

What an honor to be thought of as I halfway sound like him. Atlanta Bliss: This whole song is pretty incredible, especially with the beginning like that. It's like, that's the noise of the world. It's just crazy and crazy and crazy and then all of a sudden it just focuses down. You turn out the lights, turn up the sound and you're all - we're really focused. It's everyone that's listening in the one spot.

That's what music is about. That's the whole motion of this song. Yeah, this is probably one of my favorites or all-time favorite tracks.